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Flood Myths and History, Hugh Soar (a over all summary)
Flood Heroes-Culture Heroes-Attributes
Before Osiris came the Egyptians were cannibals, no laws, and ignorant of
the High Gods. Osiris came to Egypt in vessel with relatives,
Bochic (or Memtereketeba, or Nemquetheba) came long ago from the East to
Platau of
Deluge and Culture Hero Myth- Chaldean/Babylonian
In first year of creation, the powerful being Oannes came out of the Sea.
Though of a different race, he spoke in a tongue that the people could
understand. He taught
Them who lived with beasts, how to build towns and temples, how to survey
land, how to grow fruits and other things. He did not eat their food however.
After his days work amoungst them he returned to his palace in the ocean. After
him their appeared six other beings who gave revelations to men.
Culture Hero Myth-Icelandic Eddas
"Adburs sons uplifted, The soil in cultivation. They gave the
Chaldean Flood was no earlier then 6,000-5,000 B.C. and not the same as
the Atlantean one.
England the final flooding of the southern portion in the channel took
place in its final stage in post-glacial times during the early years of the
Mesolithic Age.
Southern province of Spain, Andulucia, famous for the Rio Tinto mines.
Mrs. Elena Wishaw spent years in uncovering the Neolithic settlements of
Niebla. Her thought was that the Cro-Magnon were the first to exploit the mine
who were from Aurignacian Culture period. The location has diluvial clay
pockets between Rio Tinto and the sea. The coastal plain, and the valley of the
Guadalquivir, running north-eastwards, is generally below six hundred feet. The
raised beaches, and shell beds at Lucena occur on ground between one thousand
feet, and three thousand feet above sea-level. This indicates that Guadalquivir
River Valley at least has been under water, and the islands of higher ground,
rising from three thousand feet upwards, were probably the only lands above
water in Andulucia during the short period of the universal flood. Neolithic
Culture was early in comparison with England. Andalucia has its own flood
myths, one that relates that the people of a certain town saved themselves from
the great flood by climbing upon their city walls.
The salt marshes of Tunisia extend westwards into Algeria. They were
formed it is thought by extensive flooding, and since the land is generally
very low, and in some case below sea level, a rise of the Mediterranean Sea, of
only a few feet would completely submerge the land below 600 feet. The sweeping
up of the water by a lunar or asteroid tidal grid would put to much sea water
at the equator, and the polar regions the loss of sea water.
South America culture center unknown but the culture called Tiahuanaco
was possibly near a Inter-Andean Sea due to Calcareous deposits, indicating the
presence of water, and littorals. The remaining traces of this sea, are Lake
Titicaca and Lake Poopo, with a stream connecting them presently. The average
height of the Mountain Sea was 12,300 feet, and two theories are Andes pushed
out of the sea in Tertiary times, or the melting glaciers due to climate change
melted into these lakes or were a sea. But, the tidal grid being lifted by a
close encounter of a celestial object onto the equator and dumping vast amounts
of water at the earth's middle would also account for this possibility?
Calcareous deposits occur in fast inundation conditions generally. The nature
of the water at Titicaca and Poopo are brackish or salty with a salt marsh. The
glaciers are non-saline by nature. The type of stoen in the area are not
Triassic formations and not suitable for salt extraction by water going over
them. Inter-Andean Sea therefore can only be continent breakup formed and or by
a sudden event such as a tidal grid uplifting.
The Biblical account is not the original and not borrowed from Chaldea or
Peru as to what or who would really be the first culture to mention it. It may
have been simultaneous event, and so culture wise recorded in folklore and
myths.
Quetzalcoatl, was a deluge survivor and head of the Toltec pantheon of
gods and a wind patron. In some cases he was a great priest of the rain maker
or stopper cult.
He was a teacher, inventor of handicrafts, growing of grain and pumpkin.
He left with different myths of his death, or reason of leaving into the east.
Osiris, in remote pre-dynastic antiquity Osiris was a King and had his
governing in the Ninth Nome. Horus, Isis, and Osiris are mostly linked together
in ruling the kingdom. Agriculture and the Moon are his links, and his
afterlife for him and the believers lie in the 'Field of Reeds', or (Sekhet
Ari-t or Greeks Elysian Fields) in the Western Horizon
i.e. towards the Atlantic. At first his center of worship was at Busiris, and
then Abydos. Yet, this shows Osiris is connected with the marshy inundated
reeds of Atlantis. The shrines like pyramids are usually dedicated to culture
heroes like Osiris who have altars at the top of them indicating man's
sacrificial thanking for surviving from the floods by mounds or mountains that
god made for men to be closer to heaven and god? Even Adam and Eve or their
fall out of paradise, or from its loss to a flood has its connection to pagan
baptism practices.
The immersion of a child in water is due to the legacy of his surviving
ancestors (survivor syndrome-guilt) who believed that their supposed cleansing
meant that for them as being part sinless for not being picked to die. This as
opposed to some of them who were destroyed by water due to their own sins
offending god is continued to this day. The Cross-has even descended to us from
the same ancient pagan sources.
Lord Raglan book, "The Hero" is the basis of certain myths that
repeat the story:
Pagan outline culture hero myth stratum-
1. Heroes Mother is a royal virgin.
2. His father is a lineal descendant of a King, and 3. A relative cousin
of his mother.
4. The conception is unusual and immaculate.
5. he is reputed to be a son of God.
6.At birth an attempt is made by his father or maternal grandfather to
kill him, but
7. He is taken away in exile, 8. Reared by his foster parents in a far
country.
9. We are told nothing of his childhood, but 10. On reaching manhood he
returns for his kingdom. 11. After a victory over a king, a giant, devil, or
beast, 12. He marries a princess, often a daughter of the predecessor. 13.
Becoming King.
14. Reigns for a long time uneventfully, and prescribes laws, but 16.
Later he losses favor with the gods, and or his subjects, and 17. Is driven
from the throne and city, after which he meets a mysterious death, 19. Often at
the top of a hill. 20. His children, if any, do not succeed him. 21. His body
is not buried but nevertheless 22. He has one or more holy sepulchres.
Christian cult-hero stratum:
1.His mother is a virgin
2. His father is a lineal descendant of a king (Joseph of David's line)
and
3. a relative (cousin) of his mother. 4. He is concieved by the Holy
Ghost, and
5. is the Son of God. 6. After his birth an attempt by Herod to kill him,
but 7. He is taken to Egypt and 8. Reared there. 9. We know little of his
childhood, but 10 on reaching manhood he goes to Israel. 11. After a victory
over the Devil (in the wilderness) he is 13. Feted as a great leader. 14. For a
time all goes well, he 15 preaches doctrines, but 16 he losses favor with his
people, and 17. Is imprisoned. 18. His actual death is mysterious, (the voice
of God), 19 on top of a hill. 21 His body is not buried but nevertheless 22. He
has many sepulchres.
It is true of Jesus existence so why not of the former Heroes, and the
pattern of conversion to a religion or a kingdoms lineage justified is used
when spreading the mythology and philosophy of a famous figure. In a sense
gossip has its cost and toll on the actual truths. For the spread of
Christianity was based on the success of incorporating a internal pattern or
meter so that Jesus would stand out as Spiritual and at least a Cult Hero. So,
ritual drama like Robin Hood, Dionysus, and even Bhudda have certain affinities
in the drama building rules. Even Shakespeare could no more over look ritual
drama in his play 'King Lear' with the life of Celtic Sea God Llyr, and his son
Mannawyddan included, a myth of ancient antiquity.
Webmaster in conclusion-
It would seem a internal code of ritual drama was one of the reasons the
Atlantis Myth was continued because the ancestors did not want us to forget
that this was not a story or a myth but something dreadful that happened.
Atlantis tale is the most powerful kind for many will come for a tragedy, then
a happy ending even in going to the movies. They had to figure out away to show
the impact of it, that would still entail some elements of hope especially for
the hereafter. They formed a canon, or a numerical outline within the story,
which we may want to now see why Plato felt it pretty important to lay down
numbers of the Atlantis mathematical citadel? It was such a powerful canon that
not even Noah's Ark could be excluded from the Old Testament due to the
importance of the historical drama before even Homer. The cult hero in a sense
is another canon that extended from the original story, but since it was more
human oriented story it could more so be overlaid.
What the pattern does show is the difficulty for the Atlanteans to adjust
to new lands and new kingdoms after the destruction and due to social
rejections towards their wanting to control over those kingdoms when they moved
in. The story glorifies their passage from wickedness, and the ingenious way
that they got the cultures to follow them. They did not bribe, nor enslave at
that point but taught them about the things they knew and the world they built
and treasured and were willing to teach. The myth also reveals a fall out of
the culture who was learning from them in resenting Atlantean's eventual
control i.e. Set takes over and some havoc begins to spread. The myth also
reveals come back with Isis installing Horus and so the prehistoric lineage was
to continue on the merciful son's avenging of his enemies. Thoth lurks in the
background so the teacher somehow always remained and was revered i.e. the
Priests for a long period of time in pre-dynastic Egypt had great power over
the people often aligned with the Queens. The taboo has also appeared as to not
entering information about a cult hero's childhood very much like why Greeks
would not finish out a play's high point and only imply what happened. They do
not want the listener to focus on the child turned into a man-god's rights of
passage. As if to reveal it either takes away from the story, lessens the
mystery, or steals his mystical essence. This may have been a fear taboo
socially that if you speak of his childhood you may rob, or put at risk his
central character i.e. soul. It is also interesting that from the cult hero
getting isolated or exiled from others with his rights of passage, and his
eventual ritual battle leading to a marriage he is performing one of the oldest
human life dramas related to social, city, and kingdom building. This old
process where the child then turns into a man and then into a king through
rights of passage was known back in Atlantean and Cave Man days as a drama.
But, the confusion of the word trauma shows its older metaphor association and
is implied even mythological. For after the right of passage, the cult hero
gets replaced, or dies on a hill. This is about a king's right of passage i.e.
one Chronos Hock-Bock Goat King getting replaced by a more vigorous younger
suitor to the thrown. It was often fought, as a dual on a hill, like our
child's game king of the mountain, and king of the hill, or even Jack and Jill.
It means that Atlantean's had in some circumstances duels between King and son,
some other suitor, or the King was sacrificed on a hill then to face a battle
with his flesh and blood. The origin of this king passage cult may have later
become well established in the Age of Gemini, when twins fought over the right
to a thrown and became a literal religion, note Egypt's Twin Kingdoms? The
story is almost like a reverse Zodiac in the sense our Virgo-Virgin starts the
Age story and Taurus the Bull ends it for our cult hero. This is why the Jesus
story is the same but altered in exception. In the middle of the story
After rights of passage he preaches, and is imprisoned? This refers to
Pisces Age-Aquarius Age, and he being imprisoned involves a very esoteric
alteration which
Refers to what is across from the Virgin i.e. Andromeda who was chained
and imprisoned. The clue of the New Testament Jesus Cult Hero is this….Virgo
and Andromeda only have one thing between them, and that is the North Pole.
This North Pole in a sense is Jesus Hill Top that he preached and then was to
die on.
Yet, he was not buried on the hill, he was taken to the valley. The
implication is that
A pole shift is coming, and Vega is coming back as the new pole star.
This is why Jesus uses the line on the cross that only Atlas could make when he
held up the world in a gossip sense, 'father why have you forsaken me', and
still in a unknown language?
There is a second part to the fable, which ties Osiris's Life, and having
the same parallels as Jesus which I now call the 'Lost Doctrine On the Passion
Passage (Play)'.
There is also the even more elusive, 'Lost Doctrine of The Child's
Training Passage'.
Here is what I have laid out for the first time to the viewer.
I. Escape and Training
II. Exile and Rights of Manhood
III. Capture and Passionate
These are ritual works that are supposed to be combined and go back to an
Atlantean Tale.
As we find in 'The Albigenses and the Holy Grail', by Lewis Edwards, D.
Litt.
The Grail being in Wales addressed to Hopkin op Thomas by Davydd y Coed
"There are in his court
The golden oak Eluecdarius
And the Grail and Triales"
